Essex Freemasons and their families made the most of a once in a lifetime opportunity to help the Province celebrate the United Grand Lodge of England's Tercentenary in real style with a glittering Last Night of the Proms spectacular
Featuring the British Philharmonic Concert Orchestra, the concert was attended by nearly 3,000 people on Saturday 8th July 2017 at Freemasons' Hall.
There was also a champagne reception hosted by the Provincial Grand Master Rodney Lister Bass and his Executive.
The event was the latest in many such occasions to mark the Tercentenary, which includes a number of Open Days held at Masonic Centres across Essex. Many more are planned for 2017, where Freemasons will be on site to answer questions from the public alongside exhibits of historical masonic regalia, literature and photographs.
Please scroll through the gallery at the top to view photos from the concert
Continuing a tradition of excellent craftsmanship from when Freemasons’ Hall was first built, the new washroom area outside the Grand Temple has received a special mention for the tiling
This recognition was given at the 2017 Tylers and Bricklayers Triennial Awards, which were held at Grocers’ Hall on 6th July.
Run by the Worshipful Company of Tylers & Bricklayers, the awards are held every three years to recognise projects within the area bounded by the M25 motorway that demonstrate all-round excellence in brickwork, roof slates and tiling, and wall and floor tiling.
The renovation to the washroom area at Freemasons’ Hall was completed in late 2016, with large format porcelain tiles and feature walls including stone vanity and credenza tops.
The overall winner in the Tiling category was Tottenham Court Road tube station for its Paolozzi mosaics.
Leicestershire and Rutland Freemasons have completed a four-day cycle ride visiting all the Masonic Centres in the Province before continuing to Freemasons’ Hall in London and back again
The 300 mile trip not only marked the 300th anniversary of Freemasonry, but raised over £21,000 to be split equally between the Rainbows Children’s Hospice in Loughborough and the Masonic Charitable Foundation.
The 23 cyclists ranged from 19 to 64 years of age and were from 15 masonic lodges based in Leicester, Oakham, Syston, Market Harborough and Ashbourne in Derbyshire.
They were waved off from Freemasons’ Hall, Leicester, by the Deputy Provincial Grand Master, VW Bro Jim Buckle, and Helen Smith from Rainbows, and during the ride were welcomed by Brethren at the Masonic Centres in Loughborough, Ashby-de-la-Zouch, Coalville, Hinckley, Lutterworth, Market Harborough, Uppingham, Oakham, Melton Mowbray and Syston.
They were also warmly welcomed at Freemasons’ Hall, London, by the Chief Executive of the Masonic Charitable Foundation, David Innes. The cyclists made a quick detour in London to visit St. Paul’s Churchyard where the first Grand Lodge of England was formed 300 years ago in 1717 at the Goose and Gridiron ale-house.
W Bro Simon Oldfield from the Wyggeston Lodge and organiser of the event, said: 'We are all proud to have taken part in a great adventure and it's such an achievement by all the riders and support crew, with great team spirit and camaraderie to raise money for charity.'
The cyclists arrived back on schedule at Freemasons’ Hall, Leicester, where they were welcomed by the Assistant Provincial Grand Master, VW Bro Peter Kinder and a large number of family and friends.
W Bro Paul Simpson, Master of St. Wilfrid’s Lodge in Market Harborough, said: 'The whole experience was most enjoyable. This is what Freemasonry is all about - working together as a team to raise funds for charity whilst having great fun in doing so. I made friends that will be friends for life now.'
The Provincial Grand Master, RW Bro David Hagger, commented: 'I most sincerely thank the cyclists and assisting crew on behalf of all the Freemasons and their families in Leicestershire and Rutland for the generous contribution they have made. It is truly a magnificent achievement.'
It’s been 300 years since the well-known story of four London lodges who came together on St John’s Day, 24th June 1717 and founded the world’s first Grand Lodge
To commemorate the Tercentenary of this date, a commemorative stone has been unveiled outside the Tower Entrance of Freemasons’ Hall.
Three of the four lodges who made this vital contribution to Freemasonry are still active today – Lodge of Antiquity No.2, Royal Somerset House and Inverness Lodge No.IV, and Fortitude and Old Cumberland Lodge No.12. They are referred to as Time Immemorial lodges and have the unique distinctions of being allowed to operate without the requirement of a warrant, and of having a band of dark blue in their lodge officers' collars.
The occasion was marked by a joint meeting at Mansion House where the United Grand Lodge of England’s Grand Master, HRH The Duke of Kent, was proclaimed as the Master of all three lodges.
Next time you walk past Freemasons’ Hall, make sure to cast your eyes over this commemorative stone and its history of four lodges coming together to found the Premier Grand Lodge.
A packed house descended on Freemasons’ Hall yesterday, as the Library and Museum of Freemasonry opened its doors for a Private View of ‘Rough to Smooth’ – an exhibition of contemporary artwork inspired by Freemasonry
Visitors were treated to an exhibition of new artworks celebrating Freemasonry and its continued role and relevance in society today. In attendance was Peter Lowndes, Pro Grand Master, Anthony Wilson, President of the Board of General Purposes, and Jacques Viljoen, the United Grand Lodge of England's very first Artist in Residence, who created the exhibition along with nine guest artists.
The ‘Rough to Smooth’ art exhibition will open to the public during this Saturday’s Open Day, which marks the 300th anniversary of the founding of the Premier Grand Lodge. It will be a day of exhibitions, music and architecture and the chance for visitors to view the new collection of art - many of which are for sale.
Anthony Wilson commented: 'What has struck me, above all else, is the amount of thought and work that has gone into each picture. The artists have demonstrated both an understanding of, and the variety of responses to Freemasonry, its values and, in particular, our splendid building.'
The exhibition continues next week from Monday June 26th until Saturday July 1st. Admission is free and Freemasons’ Hall will be open from 10am to 5pm, with last entry at 4:30pm.
Responsible for the fabric of Freemasons’ Hall, Grand Superintendent of Works John Pagella encourages a businesslike approach towards the management of every masonic building
What’s your professional background?
I’m a chartered surveyor by training, working for the first five years of my professional life for what was then the Greater London Council. I spent two and a half years doing slum clearance in the East End of London, acquiring properties that were medically unfit for human habitation. I learnt a little bit about surveying but a huge amount about life and social conditions that simply don’t exist today.
I then wanted the challenge of working in private practice. So I joined a firm of chartered surveyors called Montagu Evans, becoming a partner and eventually the head of valuation and professional services before retiring in 2002. Retirement is a bit of a strange term, because I’m now doing as much as I ever did.
What does the title Grand Superintendent of Works mean?
It’s a masonic title – I’m the property adviser or the surveyor, in very simple terms. I’m responsible to the Board of General Purposes and to the Rulers of the Craft for maintaining the fabric of Freemasons’ Hall. When Grand Lodge was first established there was no Grand Superintendent of Works, but they quickly realised they needed a property professional. Sir John Soane was the first, and over the years we’ve had architects, engineers and surveyors filling the post.
In my role I also guide the changes that may be needed within Freemasons’ Hall to help it to function as a building that fulfils the needs of Freemasonry today. Equally important is our property portfolio in Great Queen Street, both as an asset within the investment portfolio of UGLE and also for the income that it produces. This income helps to cushion the organisation from the day-to-day costs of managing an ageing building.
How did you become a Freemason?
My father was a mason and it’s one of my regrets in life that he died before I became one. His – and my – mother lodge, Molesey Lodge, No. 2473, was the lodge for Covent Garden. So the owners of the fruit businesses, the market workers, the local bank manager and the local solicitor were all members. One of my earliest memories was the atmosphere at home when it was the lodge meeting day. He’d be dressed in his masonic clothing with morning suit, and off he went. My uncle, who by then was Secretary of the lodge, said, ‘Come on, I think you’ll enjoy this.’ Eventually, I gave up the unequal struggle and joined.
I thoroughly enjoyed it. I met interesting people and no matter where I went, I felt welcome. I also got satisfaction out of the ritual as I’ve always been intrigued by analysing and understanding why we do what we do as masons. If you put some time and effort into understanding the ritual, it has an awful lot to tell you about life.
'Freemasonry is a craft but managing its buildings is a business’
What are the challenges facing masonic buildings?
One of my mantras is that Freemasonry is a craft but managing its buildings is a business. One of the reasons we have got into difficulties with some of our buildings is that masons have been visiting their lodges for many, many years. They feel comfortable, it’s all part of the tradition of that lodge and they’re reluctant to look objectively at what is happening.
I’m a director of Surbiton’s masonic hall, and a number of years ago, when lodge membership began falling, we realised we needed to complement the income that Freemasonry brought in with outside events. Some people think that’s straightforward, that all you do is put up a sign saying ‘we do weddings’ and it comes to you. That doesn’t tend to work. You’ve got to be professional about the way that you attract outside income.
We adapted the building so that there was a modern, elegant hospitality suite. We had wedding coordinators, we installed a professional kitchen, we created improved bar facilities – everything that a couple who wanted to get married would want.
The approach at Surbiton is only one example of the challenges in managing a building – one solution does not fit all. What we’re trying to do is encourage people to go to the right people and ask the right questions in order to make an informed commercial decision about their building.
How is UGLE helping at a local level?
We cannot do other than encourage common sense and good practice in the way in which lodges decide to use their land and buildings. It’s not our task to dictate. We want to encourage those who own and occupy masonic buildings to pause, sit back and ask themselves whether their buildings are not only fit for purpose today but will continue to be so in 10 or 20 years’ time.
While Freemasonry is about respecting tradition, we also need to be aware that the world is changing. Circumstances are forcing us to think about what we are doing with our buildings. We can either think about this in sufficient time to make an orderly and sensible decision. Or, we can wait until, all of a sudden, circumstances overwhelm us. That is when the problems arise, when people are forced to take critical decisions too quickly.
At the moment I don’t have a lot of contact with the Provincial Superintendents of Works. One of our objectives at UGLE is to try to create some form of forum for discussion
and the exchange of ideas. We can all benefit from the experience we have in different areas.
Is it hard for you to look at any building aesthetically?
It’s a standing joke in my family. Whenever we go into a house, my wife looks at the interior design, and I point out there’s a bit of damp and some shared rights of access that I feel uncomfortable about! I do look at everything through the eyes of somebody whose whole life has been concerned with buildings.
Some buildings are beautiful. Some are appallingly ugly. Since 1948, every building in this country has been through a formal approval process. If you see a terrible building in the wrong place, ask yourself how it came about, because somebody not only sat down to design it, someone else approved it too. Bad architecture should be the exception yet there’s so much of it about.
Do you enjoy your work?
I think I have one of the finest jobs in Freemasonry because I’m able to use my experience to achieve something tangible. By 2020, I hope we will have completed the work needed on our property investment portfolio, leaving us to concentrate on exercising sound management control. If I achieve a change of attitude towards the way we manage masonic buildings generally, I think I will have helped to achieve something worthwhile.
Brethen of Valour
Special paving stones outside Freemasons’ Hall pay tribute to English Freemasons awarded the Victoria Cross in World War I
A set of paving stones commemorating the 64 English Freemasons who were awarded the Victoria Cross (VC) during World War I was unveiled outside Freemasons’ Hall on 25 April.
The VC is the highest award for gallantry that can be conferred on a member of the Armed Forces regardless of rank or status – and almost one in six of the 633 VC recipients during the First World War were Freemasons.
Of these, 64 were under UGLE and 43 were under other Grand Lodges in the British Empire. Freemasons’ Hall itself is a memorial to the 3,000-plus English Freemasons who gave their lives in World War I.
The Grand Master, HRH The Duke of Kent, attended the ceremony for the stones’ unveiling and blessing, together with Lord Dannatt, a Deputy Lieutenant for Greater London; the Mayor of Camden; senior officers from the military services; a group of Chelsea Pensioners; and representatives from the VC and George Cross Association as well as some of the regiments in which the VC holders had served. Specially invited were the families of those who were being commemorated.
The event was open to the public, with Great Queen Street and Wild Street closed to traffic. The crowd included representatives from many of the service lodges as well as passers-by.
Music was provided by the Band of the Grenadier Guards and the North London Military Wives Choir. Radio and television presenter Katie Derham narrated the first part of the ceremony, which opened with Chelsea Pensioner Ray Pearson reading an extract from AE Housman’s A Shropshire Lad, followed by the President of the Board of General Purposes, Anthony Wilson, welcoming those attending.
Derham set the scene at the outbreak of war in 1914 with the aid of archive film showing how young men ‘flocked to the flag’ in the expectation that the war would be over by Christmas – and how the reality set in that it was not to be a short war but one that would affect every community in the country.
Simon Dean OBE paid tribute to his grandfather Donald John Dean, who, at the age of 21, was awarded the VC in 1918. Col Brian Lees LVO OBE, chairman of the Rifles, Light Infantry and KOYLI Regimental Association, and Lt Col Matt Baker, Commanding Officer of 1st Battalion, The Rifles, paid tribute to Oliver Watson, who was posthumously awarded a VC in 1918.
The horrors of the war were brought vividly to life by Sebastian Cator, a pupil at Harrow School. He read extracts from the diaries of Major Richard Willis, who had also been a pupil at Harrow, in which he described the carnage resulting from landing his men on W Beach at Gallipoli on 25 April 1915. For his part in that action he was one of the famous ‘six VCs before breakfast’ of the Gallipoli landings.
The Grand Secretary, Brigadier Willie Shackell CBE, gave an exhortation that was followed by the last post, a one-minute silence and reveille. The memorial stones were then unveiled and blessed by the Grand Chaplain, Canon Michael Wilson. The Grand Master and Lord Dannatt then inspected the stones, after which family members and other invited guests had an opportunity to view them before entering Freemasons’ Hall for a reception in the Grand Temple vestibule area.
You can watch highlights of the unveiling of the memorial to Freemasons awarded the Victoria Cross during the Great War here
A special commemorative programme for the ceremony, including portraits and brief details of the 64 brethren of valour, can also be viewed here
'Rough to Smooth' exhibition will open on Saturday 24th June
Fans of developing artists will be in for a rare treat at Freemasons’ Hall from Saturday 24th June, when a new collection of art will be unveiled to mark the United Grand Lodge of England’s Tercentenary celebrations
As part of the 300th anniversary of English Freemasonry, The Library and Museum of Freemasonry is organising a unique Open Day on Saturday 24th June, of exhibitions, music and architecture. Jacques Viljoen has been appointed Artist in Residence and has created an exhibition of new artworks to celebrate Freemasonry and its continued role and relevance in society today.
‘Rough to Smooth’, which will also feature nine guest artists, presents works inspired by Freemasonry from the past, present and future, and focuses on the symbolism of Freemasons’ Hall, the themes of ceremony and rites of passage and the experiences of Freemasons in World War 1.
Visitors can tour the impressive and ornate Grand Temple, the Library and Museum and the Three Centuries of English Freemasonry exhibition. Informal music performances will also take place throughout the day: the Occasional Strings quartet in the morning, organ recitals around midday and the Art Deco Orchestra in the afternoon.
The exhibition will be open every day from Saturday 24th June until Saturday 1st July, with the exception of Sunday 25th June. Admission is free and Freemasons’ Hall will be open from 10am to 5pm, with last entrance at 4:30pm. The artwork will be displayed in the Vestibules, Processional Corridor and Corridor to the Library and Museum.
The exhibition and residency has been directed by the Director of The Library and Museum of Freemasonry, Diane Clements, who commented: ‘It has been a remarkable experience working with these talented artists and they have produced a defining set of works, which we hope the general public will come and view.’
Make sure you also follow the United Grand Lodge of England’s Facebook, Instagram and Twitter accounts in the build-up to the exhibition, as we unveil the guest artists and take a detailed look at their artwork.
Man among Men
A new photobook on Freemasonry, created to coincide with the United Grand Lodge of England’s Tercentenary, has been described as giving a detailed and colourful insight into the world of Freemasonry
The photobook is the work of Juliane Herrmann, a documentary photographer from Cologne, Germany, who has spent the last five years travelling to different countries around the world, which include England, Brazil, Germany, Israel and the Netherlands, to document Freemasons.
Juliane has now started up a crowd funding campaign on Kickstarter to help finance the printing costs, where people can make contributions by ordering the book.
Juliane Herrmann commented: ‘For over five years I have worked relentlessly on a project about Freemasonry. The upcoming book will give a complex, unprecedented perspective into a world, which has never been photographed in such a comprehensive way before.’
Titled, ‘Man among Men', the photobook will hold over 300 pages in a blue velvet hardcover with gold stamping and will contain 160 colour photographs.
Please scroll through the gallery at the top to view some of the images from the book.
You can find out more and support the project here
Over 900 Knights attend the ceremony at Freemasons’ Hall
Paul Raymond Clement GCT has been installed as The Most Eminent and Supreme Grand Master of The United Religious, Military and Masonic Orders of the Temple and of St John of Jerusalem, Palestine, Rhodes and Malta of England and Wales and its Provinces Overseas – better known as the Knights Templar
The installation was conducted by the out-going Grand Master, Timothy John Lewis GCT, who had served in the role since 2011.
Over 900 Knights attended the Chapter of Great Priory, which was held under the banner of The Preceptory of St. George No. 6 in the Grand Temple of Freemasons’ Hall. Also present were a large number of visiting dignitaries from other Great Priories along with Provincial Priors and Knights of our own constitution from overseas, all of whom were personally welcomed by the new Grand Master.
Paul Clement is also the Grand Supreme Ruler of the Order of the Secret Monitor and a Past Provincial Grand Master of the Mark Degree.